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Beit rayim is an organization filled with energetic and dedicated people. the staff and volunteers work side by side to develop our programs and keep initiatives moving forward. i still amazed at how so many people can be counted on to do whatever it takes to keep things running smoothly. i would like to extend a very special "thank you" to naomi aptowitzer, stephanie lerner, and marilyn perdue who all stepped up their involvement to keep the office running efficiently through the months of january and february. i pleased to welcome leslie lewis to beit rayim as our synagogue administrator. i hope you will all get a chance to say hello and get to know leslie. she comes with a wealth of experience from different synagogues reform to orthodox! ; and with great energy and enthusiasm. welcome to our family! this is a very exciting time for beit rayim. we have a group of board members committed to staying on the board and stepping up their involvement in many aspects of synagogue activity. we have past presidents continuing to devote their time and energy because they believe in beit rayim and its future. beit rayim has so much to celebrate. the board of directors held an off-site retreat to evaluate our organization's strengths and weaknesses. we then initiated a plan that will lead us to a secure future. we began this process by defining our core values, core purpose, and vision. using the framework set out by james collins and jerry porras in their book built to last, we have determined our core values. these are values that are intrinsic to who we are and must be protected in the future. the framework's motto, "preserve the core; stimulate progress", is a huge concept for us at this time in the life of beit rayim, since we are looking toward our future goal of growth and change, but at the same time we must safeguard our core values. we must galvanize these values and purpose so that we have a single driving vision as we move forward. we must be clear on 6 what is sacred and what we must not change as we progress toward our ultimate vision. through these efforts, we noticed that we certainly have a strong and united sense of the intrinsic values we hold as guiding principles for our organization. words and phrases such as "haymishe", "participatory", "mentorship", "egalitarian", and "freedom to innovate", are just some of the descriptors we used to define our core values as an organization. we will be sharing these values and more at our annual general meeting at the end of february. the board has also delineated specific critical success factors that will take us to our vision. we are now in the process of realigning our board members to take on key positions that mesh with these success factors. through this process we are strengthening our organizational schema. i so pleased that most board members are returning to take on this new challenge. thank you for the countless hours and energy the board members commit on a regular basis to our organization. our core values, purpose, and vision pervade and direct our programming and services. what better an example of this but our womens' and mens' shabbatons? our seudat shlishit study session was led by zohar lipsky. despite the cold and snow, we had a lively and informative session to learn more about bereshit and the beginning of women, which was followed by a beautiful havdalah service. we also had two terrific hebrew school-wide kabbalat shabbat services. marilyn perdue and the teachers and children continue to make these evenings very special. our bar and bat mitzvah children have also been coming out to services, both friday evenings and shabbat and to the bar bat mitzvah course. becoming familiar with the service and comfortable on the bimah will help so much in making their simchas run smoothly and less stressfully. our davening for dummies program is back this and basic poker rule. Samson chan director of photography samson chan is an acclaimed cinematographer and photographer with over ten years of filmmaking experience. throughout his career he has captured awe-inspiring images from some of the most memorable moments in sports, news and entertainment. it was chan who showed us the power of soccer in war-torn liberia, the majesty of centre court at wimbledon, the stunned silence of the columbia shuttle disaster and most recently the raw passion of a ghanaian athlete driven to enlighten an entire nation. samson's film credits also include vanilla city, which won best comedy short at the houston film festival, and the pitch, part of the hbo u.s. comedy arts festival. april wilson editor april wilson is a prolific editor whose talents are as diverse as her experience. working across the commercial film spectrum, she has edited television programs, including 13 episodes of "location! location! location!" and two one-hour episodes for hgtv, the home & garden network, as well as promotional spots for queer as folk, vh1's command the band and the lifetime movie network. april has also produced, written and edited film trailers, including the emmy-winning the passion of ayn rand and free of eden, as well as falcon down and the rich donato story. april also wrote, shot and edited a pilot for a children's show about physics and texas history called exploration texas. meredith paige editor meredith paige has an extensive career in television, spanning over 20 years as an editor of sports, entertainment and documentary films. she began her career as an editor for nbc and worked on such programs as david letterman, the today show, and saturday night live. in 1996, she joined lisa lax as an editor and feature producer for the atlanta olympics. in 2001, she joined nancy stern on the cosby show.a look back. she has also produced for the sundance channel's anatomy of a scene show, which focused on the movies "confidence" and "the secret lives of dentists". meredith has won eight emmy awards and an international monitor award in 2000 for best sports editing of the ironman triathlon world championship. she was the senior feature producer for the new jane pauley show at nbc, and is the supervising producer of the martha stewart show. alan l. strusser sound alan l. strusser is a highly respected artist-technician who not only uses sound to reinforce the visual medium, but to create visuals as well. while his extraordinary career has taken him around the globe, no experience has meant more to him than that of his journey to ghana for the documentary film, "emmanuel's gift". alan's credits include features for the seoul, barcelona, atlanta and sydney olympics; documentaries for hbo sports, including women in sports, howard cosell and sports century; the bbc documentaries, inside the porn industry and bird migration, and the espn documentary, world series of poker. Brittany murphy shellie ; continues to reign as one of hollywood's most sought after and engaging young actresses. she is currently in production for kingsgate films' "never was, " starring opposite alan cumming, aaron eckhart, ian mckellen and nick nolte. murphy was most recently seen in the hit romantic comedy "little black book, " starring alongside ron livingston, holly hunter and kathy bates. other recent roles include "uptown girls" with dakota fanning; the family film "good boy, " for which she lent her voice; the blockbuster hit "just married, " starring opposite ashton kutcher; and the acclaimed "8 mile" opposite eminem. murphy's other film credits include ed burns' ensemble drama "sidewalks of new york, " penny marshall's "riding in cars with boys" opposite drew barrymore and gary fleder's "don't say a word" opposite michael douglas. she starred alongside winona ryder and angelina jolie in "girl, interrupted" and in alan rudolph's "trixie" opposite emily watson. she gained national attention from her breakthrough role as "tai frasier" in the box office smash "clueless." other film credits include "summer catch, " "drop dead gorgeous" and "cherry falls." on television, murphy starred opposite lukas haas and sidney poitier in "david and lisa, " in showtime's critically acclaimed "devil's arithmetic" opposite kirsten dunst and in showtime's "common ground." her talent for voices and accents can be heard on fox-tv's animated comedy `king of the hill, " as she gives life to "luann" and "joseph" on the hit series. murphy also performed on broadway with allison janney in arthur miller's tony award-winning "a view from the bridge, " directed by michael mayer. clive owen's dwight ; performance in the title role of mike hodges' sleeper hit "croupier" had critics comparing him to the likes of bogart, mitchum, and connery. more recently, he won the golden globe award and received an academy award nomination for best supporting actor for his work in mike nichols' "closer." he will next be seen in the thriller "derailed" with jennifer aniston. his recent film credits also include "beyond borders, " a romantic war drama co-starring angelina jolie, the mike hodges thriller, "i'll sleep when i dead" and "king arthur." owen first came to the u.k. public's attention as the star of the television series "chancer." u.s. audiences later saw him starring opposite catherine zeta-jones in jack gold's telefilm adaptation of "the return of the native, " which aired on cbs. more recently, he starred in the bbc's "second sight" police dramas, which aired on pbs's "mystery!" owen's feature films also include beeban kidron's "vroom, " stephen poliakoff's "close my eyes" and "century, " sean mathias' "bent, " joel hershman's "greenfingers" and robert altman's star-studded "gosford park." his acclaimed stage work includes portraying romeo at the young vic, starring in sean mathias' staging of noel coward's "design for living" and playing the lead role in patrick marber's original production of "closer" at the royal national theater. his u.k. telefilm credits also include andrew grieve's "lorna doone, " andy wilson's "an evening with gary lineker, " diarmuid lawrence's "the echo" and david blair's "split second." in the fall of 2001, he starred in london in lawrence boswell's staging of peter nichols' "a day in the death of joe egg" and in "the hire, " series of bmw internet short features, in which he was directed by respectively ; john frankenheimer, ang lee, wong kar-wai, guy ritchie, and alejandro gonzalez inarritu. mickey rourke marv ; , one of the few true method actors of today and a graduate of new york's actor's studio, is this generations' classic working actor. rourke launched his acting career with roles in "1941, " "heaven's gate" and "body heat." his career has been defined by his performances in "9 1 weeks, " "barfly, " "angel heart, " "year of the dragon, " "pope of greenwich village, " "rumble fish" and "diner and stud poker rule.

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Had attracted. "art is a team sport" he says, adding that contributors came from subjects as varied as natural sciences and modern languages. indeed, the organisation of the event has revealed a variety of highly individual talents amongst those involved. the music for the event is to be provided by the electro funk -inspired dj special needs whilst ollie wainwright, a student artist who last year "turfed" parts of the city centre, is amongst the organisers. so, will "tricycle" be cambridge's answer to white cube? with a prestigious artistic alumni in the university's recent history, it is up to student organisations to ensure that the next young british artist, or indeed great british artist, doesn't slip through the net. hopefully this event will give talented undergraduates a chance to exhibit innovative visual arts and, indeed, a variety of skills that are often only displayed behind closed doors. tricycle, king's college art rooms, friday 25th - sunday 27th november.

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0.65 ; and nsaids es, 0.48; 95% ci, 0.31 0.64 ; are clinically useful in reducing supplemental analgesic consumption. the preemptive administration of systemic nmda antagonists and opioids was not shown to elicit a significant beneficial effect. reducing the supplemental analgesia by approximately 44% to 58% by using preemptive analgesic techniques is clinically useful. thus, there may be an economic facet that favors the incorporation of preemptive analgesia into the clinical routine. although it has been stated that the difference in the requirement for postoperative supplemental analgesic consumption is not an important medical issue, provided that adequate doses are available when the need arises 125 ; , in today's climate of financial constraints on health care expenditure, it is important to consider the economic effect of adopting preemptive analgesia with the potential of reducing overall postoperative analgesic requirements. fortyfour percent to 58% less postoperative analgesic consumption for surgical patients could mean that a large sum of money could be saved through adopting the technique of preemptive analgesia, which essentially does not add any additional cost to the existing armamentarium of pain management other than changing the timing of administration. this is significant because this effect was observed not only for more costly and time-consuming interventions, such as epidural analgesia, but also for nsaids and local anesthesia. time to the first rescue analgesic request was used in many of the included trials as an outcome measure. in this meta-analysis, we could show that preemptive epidural analgesia was clinically useful in prolonging the time to first analgesic request es, 0.31; 95% ci, 0.10 0.52 ; . similarly, local anesthesia es, 0.44; 95% ci, 0.21 0.68 ; and nsaid es, 0.68; 95% ci, 0.44 0.91 ; administration are clinically useful in prolonging the time to first analgesic intake. in contrast, the administration of nmda antagonists and systemic opioids.

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